- “École de Montréal” (Guy Robert, Collection artistes canadiens, Montréal, 1964);
- “Everyman’s Canada: Paintings and Drawings from the McCord Museum of McGill University, Montréal, 1962);
- “Our Own Country Canada 1860-1890” (Dennis Reid, National Gallery of Canada, Ottawa, 1979);
- “Canadian Art: Catalogue of the National Gallery of Canada, Volume One & Two” (National Gallery of Canada, Ottawa, 1988);
- “Modern Painting in Canada: Major Movements in Twentieth Century Canadian Art” (Terry Fenton and Karen Wilkin, Hurtig Publishers, Edmonton, 1978);
- “16 Quebec Painters in their Milieu” (La Vie des Arts Collection, Montreal, 1978);
- “The Automatiste Revolution: Montreal 1941-1960” (Roald Nasgaard and Ray Ellenwood, Douglas & McIntyre, Vancouver/Toronto, Berkeley, 2009);
- “Passionate Spirits: A History of the Royal Canadian Academy of Arts, 1880-1980” (Rebecca Sisler, Clarke, Irwin & Company Ltd., Toronto/Vancouver, 1980);
- “Masterworks from the Beaverbrook Art Gallery” (edited by Terry Graff, Goose Lane Editions and Beaverbrook Art Gallery, Fredericton, 2013) - housed in the original slipcover and signed by the editor on the title page;
- “Marc-Aurèle Fortin en Gaspésie” (Jean Pierre Bonneville, Alan Stanké Ltée, 1980);
- “André Biéler” (Agnes Etherington Art Centre, Kingston, 1970);
- “André Biéler: At the Crossroads of Canadian Painting” (David Karel, Les Presses de l’Université Laval, 2004);
- “Henri Hébert 1884-1950” (Janet M. Brooke, Musée du Québec, 2000)
