- “Five Decades of Jules Olitski” (Philharmonic Center for the Arts, Naples, Florida/The Butler Institute of American Art, Youngstown, Ohio, 1999-2000);
- “Action/Abstraction: Pollock, de Kooning and American Art, 1940-1976” (edited by Norman L. Kleeblatt, The Jewish Museum of Art, New York/Yaler University Press, New Haven and London, 2008);
- “Hans Hofmann in the Metropolitan Museum of Art” (Lowrey Stokes Sims, The Metropolitan Museum of Art, New York, 1999);
- “Why Nature: Hofmann, Mitchell, Pousette-Dart, Stamos” (Hollis Tagart Galleries, New York, 2014);
- “Jules Olitski: Radiance + Reflection” (Yares Art Projects, Santa Fe, New Mexico, 2013);
- “Frederick R. Weisman: Art Foundation Collection” (Frederick R. Weisman Philanthropic Foundation, Los Angeles, 2007);
- “Jules Olitski: Embracing Circles 1959-1964” (Freedman Art & Hackett-Mill, San Francisco, 2010);
- “Jules Olitski: On an Intimate Scale” (Luther W. Brady Art Gallery, Washington D.C., 2012);
- “Make It New: Abstract Painting from the National Gallery of Art, 1950-1975” (Harry Cooper, Yale University Press, New Haven and London, 2014);
- “Wassily Kandinsky: Life and Work” (Will Grohmann, Harry N. Abrams, New York);
- “The Orange Balloon Dog: Bubbles, Turmoil and Avarice in the Contemporary Art Market” (Don Thompson, Douglas & McIntyre, Madeira Park, 2017);
- “The Supermodel and the Brillo Box: Back Stories and Peculiar Economics from the World of Contemporary Art” (Don Thompson, Palgrave/Macmillan, New York, 2014);
- “The Vincent Melzac Collection: Modernist American Art featuring New York Abstract Expressionism and Washington Color Painting);” (The Corcoran Gallery Art, Washington, D.C., 1971);
- “A Tribute to Samuel J. Zacks from the Sam and Ayala Zacks Collection” (Art Gallery of Ontario, Toronto, 1971);
- “Iconoplastic: 100 Years of de Stijl” (Sotheby’s, New York, 2017)
