- “James Rosenquist: A Retrospective” (Walter Hopps and Sarah Bancroft, Guggenheim Museum, New York, 2003);
- “The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art” (Don Thompson, Double Day Canada, 2008);
- “The Machine: as seen at the end of the mechanical age” (K. G. Pontus Hulten, The Museum of Modern Art, New York, 1968);
- “Claes Oldenburg’s Store Days” (Something Else Press, New York/Villefranche-sur-mer/Frankfurt am Main, 1967);
- “Richard Estes: The Complete Paintings 1966-1985)” (Louis K. Meisel, Harry N. Abrams, New York, 1986);
- “Charles Bell: The Complete Works 1970-1990” (Henry Geldzahler, Harry N. Abrams, New York, 1991);
- “Form: Herb Ritts” (Tag Heuer);
- “Kenneth Noland” (Kenworth Moffett, Harry N. Abrams, New York, 1977);
- “Roy DeCarava: A Retrospective” (Peter Galassi, The Museum of Modern Art, New York, 1996) - signed by the artist on the title page;
- “Roy Lichtenstein” (Diane Waldman, Harry N. Abrams, New York, 1971);
- “Roy Lichtenstein” (Diane Waldman, Guggenheim Museum, New York, 1993);
- “Anselm Kiefer” (Edizioni Charta, Milano, 1997);
- “Louise Nevelson: Atmospheres and Environments” (Introduction by Edward Albee, Clarkson N. Potter/Whitney Museum, New York, 1980)
